The locations used within our film vary. In the opening titles we shot in several locations. these locations are located within the Derbyshire area in the UK. Tupton and Holmgate were the two locations. they are local areas for us to access. Tupton which is a village as is holmgate which we found to be closely linked to the teenage community because they are a peaceful area where many thrive and live together and where there are many spots where teenagers hang out. This is our Mise En Scene for our film to show a peaceful place where many teenagers go and is considered a stereotype for a thriller which involves murder. The park in holmgate is one place where many teenagers go to socialise and to get away from today's society. The locations that we chose were chosen to show the representation of this character. The character is alone at each location to show that in this vast area which is normally populated is alone. This builds up the character himself to the audience.
Our film uses an enigma code throughout with the mysterious killer. This can be a character which the audience may question about.
The clothing for the character is casual clothe wear for many in today's standards.
We are using no stereotypes as our film focuses on deeper matters which builds up the film as a whole. Many people can relate to teen stereotypes because of clothing for example many teens wear hoodies because they feel comfortable, but they are discriminated and mocked by the older generation because of this. In actuality younger people wear more casual clothing, such as our character.
We have used a range of shots throughout the opening to represent this character for example we have used close up shots of the character to show the emotion when in the situation of choosing his life or the other life. This shows the emotional struggle of the character. We also used editing to represent this character as the transition of shots and the duration of each clip is quick to show the pace of the film and the emotional struggle of the character.
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